The soon-to-be-released audiobook of Neptune Crossing, narrated by the marvelous Stefan Rudnicki, is now available for pre-order on Amazon (CD version) and Downpour.com (Blackstone Audio’s downloads store). Libraries can pre-order the library CD. This is an important release for me, because if it sells well, they’ll probably go on to do the rest of the Chaos books. But that’s an important “if.” I’d love it if you could share and otherwise help spread the word! Thanks!
According to an article in the Boston Globe, audiobooks are growing rapidly in popularity as more and more people—and I include myself—find them a wonderful way to read while walking, cooking, etc. I discovered the pleasure a few years ago, when I learned you could download audiobooks from the library and put them on your mobile device. I hope a lot of people do that with Neptune Crossing, and ask for more!
Pre-order links are on the front page of my website at starrigger.net. If it’s something you plan to buy, I hope you’ll consider a pre-order. It can make a big difference at the launch! And in some cases, it can get you a preferred price, as well. Thanks again. I appreciate your support!
Great news on the audiobook front! While many of my older books have been available in audiobook for some time, my most recent work has never been recorded in commercially available audio.
Well, we’re about to start changing that! Neptune Crossing is coming to audiobook, and with a vengeance. I’ve signed with Skyboat Media and Grammy Award-winner Stefan Rudnicki to both produce and narrate the book. In short, I’ve just signed with one of the premier audiobook producers in the business! I could not be happier.
I have long noted Stefan as one of the narrators I most enjoyed listening to as a consumer of audiobooks. (Audiobooks are how I get most of my reading done nowadays. Some people use them to while away long commutes. I use them to while away long dog walks. In fact, my most recent listen was to Zeroboxer, a wonderful young adult science fiction novel by Fonda Lee, narrated by Stefan.) I have long felt that if Audible or any other audiobook producer were to ask me who I would like to narrate any of my books—and no, they’ve never asked—Stefan’s name would have been right at the top.
My road to getting Neptune Crossing into audio has been a rocky one. Tor Books, the original print publisher, controlled the audio rights, but didn’t exercise them. A few years ago, I started trying to get just the audio rights back, but it was a slow slog; and when I finally got a complete rights reversion, it came just too late for a particular window of opportunity. That was pretty discouraging, and for a time, I didn’t do anything further. But when one door closes, another opens. When a colleague of mine at Book View Café mentioned that Stefan’s Skyboat Media was open to new material, I thought, “What have I got to lose?” I queried, and sent them an ebook to peruse. About a week later, Stefan made an offer for a production deal, with Blackstone Audio as partners—and because he liked the book so much, he wanted to narrate it himself!
I didn’t have to think long about that. I brought my agent in to handle the contracts, and a few weeks later, we were signed. Stefan tells me we’re aiming for a release date of September 6, in both CD and MP3 download from all the major audiobook vendors.
This will be an important trial. If sales go well, the hope is to continue with the other Chaos titles, and maybe Eternity’s End. So everybody, Please pull with me on this one! Spread the word! Neptune Crossing hits the airwaves on September 6! If you don’t listen to audiobooks yourself, you probably know someone who does. What a great gift! Or get your local library to order it! That’s the ticket!
Audible.com works fast. My two short story collections are now on sale as audiobooks! I’ve only listened to the samples so far, but I like the sound of both of the narrators. If you enjoy audiobooks for your commute or your dog walks or whatever, why not give them a try? (You could also ask your library to consider ordering them.)
On my own dog walks, I’m currently listening to War and Remembrance, by Herman Wouk. Gets a little long in places, but it’s an engrossing listen, continuing the story begun in The Winds of War.
Once again, I was surprised to discover that more of my books are up on Audible.com! Five Star Rigger books were released in February. That’s Panglor, Dragons in the Stars, Dragon Rigger, Star Rigger’s Way, and Seas of Ernathe—all of the Star Rigger books except Eternity’s End.
You can see the lot of them on my author page, or go straight to the individual titles. I’m still working with the Audible people to get the descriptions corrected (Panglor has the wrong plot description altogether), and not all of the sample buttons are working. But the books are all available. They’re also for sale in the iTunes store.
The titles that went up in October are all listed now as being enabled for “Whispersync for voice,” which means if you have a Kindle edition you can switch back and forth between reading the ebook and listening to the audiobook without losing your place.
Quite accidentally, I’ve discovered that four of my novels recently became available as audiobooks from Audible! News to me! But good news.
I reported earlier that nine of my books have been picked up for audiobook production, and I knew that three of them were in production. I didn’t know any of them were finished, and the fourth was a complete surprise. I had been asked by a producer to record my preferred pronunciations of names and funny words in From a Changeling Star, Down the Stream of Stars, and The Infinity Link. That’s how I knew they were in process. Apparently a different producer was in charge of The Rapture Effect, and on that book I guess I’m at the mercy of the narrator.
Check them out and listen to samples at Audible.com! I notice that three of them have a special offer: Get the audiobook for $1.99 if you buy the Kindle ebook first. That’s a great deal! The Kindle ebooks are only $4.39 right now, so that means you’d get ebook and audiobook combined for only $6.38! Makes me want to go get them for myself.
The Infinity Link Audiobook from Audible | iTunes Special Audible price $1.99 with purchase of Kindle ebook
It’s been a while since I reported on what I’m doing, writing-wise. Here’s the short form:
Chaos 5: The Reefs of Time — Yah, it’s coming; it’s coming. Piece after piece keeps falling into place. It’s long and it’s complex, and there are a lot of things in it that I could not figure out beforehand; I could only discover these things by pushing at the story and the characters—that is, by writing and sometimes taking wrong turns into blind alleys. That process involves many hours of pounding my head and pulling my hair. Hell of a way to run a railroad, but there you have it. The train called The Reefs of Time will come in.
Audiobooks — Production at Audible has already begun on the books they’ve licensed for audiobooks. These guys move fast; I’ll give them that. I’ve recorded pronunciations of character and place names and like that for three of the books. And three narrators are now at work on From a Changeling Star, Down the Stream of Stars, and The Infinity Link.
Going Alien — My second short story collection is near to completion. I just have to put final touches on the new introductions, and finish proofreading the stories. My able assistant Ann has already done the lion’s share of the formatting work, so the conversion to ebook will be quick. The launch is planned for August 28. I’m enjoying rereading the stories, some of which I have not looked at in many years. Good sign. Here’s what it’s going to look like.
Mine, that is. The contracts have been inked, and I am now an Audible author! (In press, so to speak.) Nine of my novels, in the coming year or so, will make their debuts as Audible audiobooks. As I said previously, I’m a big fan of audiobooks myself. I often listen to books while I’m walking the dog, or working around the house. So on those grounds alone, I’m excited. Professionally it’s a welcome breakthrough, because audiobooks have grown to be an important part of the book market, and this will open my work to a whole new potential audience—just as ebooks did.
No word yet on who will be doing the narration, but I’ve made some suggestions of readers I like. So here, now, are the books slated for audio:
Seas of Ernathe Panglor Dragons in the Stars Dragon Rigger Star Rigger’s Way The Infinity Link The Rapture Effect From a Changeling Star Down the Stream of Stars
I just have one more thing to say about that: Yee-haw!
P.S. You don’t suppose I should be worried that the acquiring editor at Audible is a fellow by the name of Snape?
Great news from my agent —nine of my novels are being signed to become audiobooks! I am excited. I’ve been wishing for this ever since I became hooked on listening to audiobooks myself. This package does not include my Chaos Chronicles book, and won’t affect our homebrew full-cast audio production of Neptune Crossing (still in the “we hope to get started again realsoonnow” stage). It does include most of the Star Rigger books and several of my standalone novels. Nothing’s ever final until the contracts are signed, of course, so I should probably hold off on more specific details until things are official.
My own love affair with audiobooks started when I discovered you can download them for free from the public library and listen to them on your favorite MP3 player (a Zune, in my case). I love listening to books while walking the dog, which I do for at least an hour every day. I’ve been listening to a lot of books outside my own genre, books I’d never find time to sit down and read, even as ebooks carried in my pocket. I started with Robert Parker mysteries, and moved on to some thrillers. I’ve learned that the voice of the narrator makes an enormous difference even with a good book. (With a bad book, it just makes it harder to decide when to give up.) In some cases, I’ve stumbled onto some fine listening simply by looking for other books read by a narrator I like. Here are some of my recent favorites:
The Jack Reacher series, featuring a retired MP turned wanderer, by Lee Child (read by Dick Hill)
Cold Choice, a well-crafted and realistic submarine thriller by Larry Bond (read by Dick Hill)
The Myron Bolitar series, featuring a pro sports agent who sidelines as a detective, by Harlan Coben (read by Jonathan Marosz) [The last couple in the series were narrated by other readers, including the author. Not even in the same universe.]
Leviathan, Behemoth, and Goliath—a young adult, alternate history, SF series by Scott Westerfeld (read by Alan Cumming) [This one the library only carried on CD.]
Ender’s Game, the SF classic, by Orson Scott Card (read by Stefan Rudnicki, with Gabrielle De Cuir and David Birney, Scott Brick, Jason Cole, Harlan Ellison, Christian Noble, Don Schlossman, M.E. Willis and Orson Scott Card) [Ditto, on CD.]
It’s Boskone time again. Boskone is a regional science fiction convention, drawing attendees from all over New England, NYC, and parts farther away. It’s one of three major conventions held every year in the Boston area (Arisia and Readercon being the other two). I’ll be there this weekend: Friday evening, Saturday during the day and perhaps the evening, and Sunday morning. The con is held at the Boston Westin Waterfront.
I’m on several panels Saturday, and will be autographing at 5 pm Saturday afternoon. Sunday morning, I’ll be doing a panel on audiobooks with two estimable colleagues, Bruce Coville (author and founder of Full Cast Audio), and Bob Kuhn, audiobook narrator (including my still-in-progress audiobook of Neptune Crossing).
We’re really rolling now on the production of our home-brew full-cast audiobook of Neptune Crossing. Our narrator Bob Kuhn has recorded through Chapter 12, and the dialogue cast has done quite a bit of recording, bouncing around through a number of chapters—sort of movie-shoot style, so as to consolidate reading sessions for the characters who are in fewer scenes. It is remarkably difficult to do good voice acting for an audiobook. Bruce Coville told us he actually had stage actors at his Full Cast Audio studio who said, this is too hard—too different—can’t do it. Not stopping us, though! We’re on a steep learning curve, but we haven’t been flung off into space quite yet.
While Allysen’s away, we’re taking a pause in recording, and hoping to get some of the editing done, so that we can start to hear what a fully assembled production will sound like.