X-wing Fighter Flies! (briefly)

Some people talk, and some people do. Here’s a group of people who decided to build their own X-wing fighter model (you know, the craft Luke Skywalker flew in Star Wars), and make it fly! We’re not talking a little bitty model, but a model 21 feet long! That’s ambition. Before you look at the video, take a look at their beautiful project.

Now you can watch it fly in two different video views (scroll down for second). Well, U.S. rockets used to blow up all the time, too. But they got better.

Here’s a longer video, showing the setup, etc.

“A writer is someone for whom writing is more difficult than it is for other people.” —Thomas Mann

Sputnik, Half a Century Later

Can it really be fifty years since Sputnik beep-beeped its way around the globe, ushering in the space age and scaring Americans half to death? (The Commies are going to bomb us! Their rockets work, but ours always blow up!) I guess it has been. (By the time I get this up, it’s going to be October 5, but let’s just pretend it’s still October 4, okay? I mean, somewhere in the U.S., it still is.)

Lots has been written in newspapers and elsewhere about the anniversary, but I thought I’d note a few reflections about what Sputnik meant to me, an 8-year-old kid in Huron, Ohio. I remember fear, because the Russkies were ahead of us. But I also remember great excitement, because we were finally in space! (In this part of the brain, it was okay to think of them as being part of us, which was really how I preferred to think of things anyway.) In the long run, the excitement way outweighed the fear. The Space Race was on!

I can still taste the thrill of watching our early rockets lift off, of following every single space mission with intense interest—and I don’t just mean manned space missions. I mean everything. The Echo satellite, a big Mylar balloon that reflected radio waves. Telstar, the first active communications satellite. Ranger and Surveyor to the moon. Mariner to Mars and Venus. I knew all the rockets by shape and size: Delta, Atlas, Titan, Atlas Agena, Atlas Centaur, Saturn. I knew what rockets were coming down the pike. (I’m still waiting for the Nova, which would have dwarfed the Saturn V.) I idolized Werner von Braun. (We didn’t know about the Nazi part then.)

And then, of course, there were the manned missions. I remember our classes at school (6th or 7th grade) being pulled out to go to the room where there was a TV to watch both the scrubbed attempts and finally the launch of Alan Shepherd into space. “Why don’t you fix your little problem and light this candle?” I think I was at home for Gus Grissom’s flight. In school for John Glenn’s. It was a wondrous time. So full of passion and innocence. But I also remember the devastating news of the Apollo 1 fire, which put an end to the innocence. And finally on up to the landing of the Eagle. “Tranquility Base here…” I still get shivers when I watch video footage of Apollo 11’s launch.

Besides engrossing me, one pronounced effect of this ferment of space activity was my passion for reading science fiction. I’m pretty sure the two were linked. As I watched the real space travelers, I had no doubt—one iota of doubt— that our future as a species was in space. I lived that future through the exploits of Tom Swift, Jr. and Tom Corbett, Space Cadet—and of course through the stories of Heinlein and Asimov and Clarke and Leinster and Del Rey and Lesser and Nourse and Norton and White and a hundred others. I never felt that there was anything unreal about these visions of our future in the stars. On those periodic occasions when someone asked me why I didn’t read about real things, I simply didn’t know how to answer; the question made no sense to me.

In a way, it still makes no sense to me. That was the beginning but not the end of my love affair with science fiction, and I have always felt that it was the most real of all kinds of fiction.

Hey, Sputnik—thanks for getting the ball rolling.

“Writing itself is an act of faith, and nothing else.” —E. B. White

New SF on TV: Chuck and Journeyman

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I’m not normally the first to see new TV shows, but acting on a tip from my friend Craig, I’ve already recorded and watched two new SF shows from NBC, Chuck and Journeyman. They premier on network broadcast next week, but they’re available now for free viewing without commercials! In our area, they’re on Comcast’s free “On Demand,” and you can record them like any other show. (You have to dig a bit to find them, though.) I think you can also stream them online, though to me that’s not nearly as appealing.

My wife and I watched Chuck the other night, and loved it! I did not altogether expect to, because the premise of a computer nerd who accidentally downloads the contents of the U.S. intelligence network into his brain seemed—well, a little thin. And I suppose it is. But the story was written with such wit and humor, was so funny and well acted, that we were both hooked and can’t wait for the next episode. On a scale of 1-5 secret government data discs, I give this one a 4, easy.

Journeyman‘s premise is a journalist who, inexplicably and involuntarily, gets zinged back and forth in time—how and by what force, we don’t know—seemingly for the purpose of his setting something straight for someone in need. Summarized that way, it doesn’t sound too original. A little like Quantum Leap, but without the channeling of another person. Again, the writing and the acting catalyzed everything; Journeyman was engrossing and moving, and handled the built-in “Honey, where the hell have you been for two days?!” problem with believability and finesse. On a scale of 1-5 time machines, I give this one, too, a 4. It might be a tougher premise to sustain, but I hope they get a chance to try.

We all know that good shows sometimes die early if they don’t get the right buzz, so I hope you go and check these out. Next up, the new Bionic Woman, which I understand features not just one but several actors from Battlestar Galactica.

“We have read your manuscript with boundless delight. If we were to publish your paper, it would be impossible for us to publish any work of lower standard. And as it is unthinkable that in the next thousand years we shall see its equal, we are, to our regret, compelled to return your divine composition, and to beg you a thousand times to overlook our short sight and timidity.” —rejection slip allegedly from a Chinese economics journal

Book Signing, September 29-30

I almost forgot to post here (because I put it on my web site), I’m doing another book signing in Sandusky, Ohio, at the Kalahari Resort. This will happen the afternoon of Saturday, Sept. 29 and briefly again Sunday morning. (Details) The occasion, aside from the fact that I had a great signing there in July, is that my Huron High School reunion is being held there that weekend. I haven’t seen many of my classmates in several decades, so I’m going out for that—and the book signing will, I hope, help to defray the costs of the visit.

“I only write when I am inspired. Fortunately I am inspired at 9 o’clock every morning.” —William Faulkner

Dark Matter Galaxies, and the Loss of a Literary Star

Space.com reports the apparent discovery of “Hobbit” galaxies—tiny, ultrafaint, dwarf galaxies in our local group—which appear to consist mostly of dark matter. Though they were observed by their stars, which presumably are made of normal matter, gravitational calculations based on the movements of the stars indicate that the galaxies are 100 times more massive than the estimated total mass of their stars. The rest? Dark matter, more than likely. The findings will be published in the Astrophysical Journal in November.

Meanwhile, you may already have heard that Madeleine L’Engle died on September 6, 2007, another great loss to the book world. She is best known, of course, for the A Wrinkle in Time series of young adult novels, but she wrote many other books, as well. (Her official web site)

I never got to meet her, though we exchanged some correspondence once. Paradoxically, I didn’t discover her books at a young age, but as an adult. (Someone tried to turn me on to A Wrinkle in Time at a particularly sensitive age—when I didn’t want to read “YA” and I didn’t want my SF to read like fantasy. So that effort failed. But I tried the book years later, and that time it clicked. Marvelous.)

Farewell, creator of Mrs. Who and all the others. And thank you.

“You have to write whichever book it is that wants to be written. And then, if it’s going to be too difficult for grown-ups, you write it for children.” —Madeleine L’Engle

Return of the Ultimate SF Writing Workshop

Craig Gardner and I are running another intensive writing workshop this fall, starting on October 15, at the Pandemonium SF Bookstore in Cambridge, Massachusetts. (Obviously, this will be of interest mainly to people who live within easy commuting distance of Cambridge! But maybe some of my blog readers fall into that group.) It’s aimed at aspiring professional writers, and runs the gamut of subjects, for ten successive Monday evening meetings. It’s also intended as an intensive workshopping experience: learning to work as a group to provide mutual support. (Our last group went off and formed their own writing group afterward.)

All the details are online at http://www.starrigger.net/workshop.htm.

“A writer is a man who, embarking upon a task, does not know what to do.” —Donald Barthelme

The Mind Is a Terrible Thing to Lose

A few days ago, I got an email from a reader, telling me she and her family had informally named their dog Lopo Lupeko, and she thought I’d like to know. I sat there scratching my head for a little while, thinking, why did she tell me that? Did she confuse me with another writer?

Finally a tiny bell starting ringing way in the back of what passes for my mind. Something…but what…? I opened up the directory on my computer where all my book files are kept and did a search for “Lopo.” Sure enough, what popped up was my novel Down the Stream of Stars. As soon as I opened the file and found the spot, it all came back in a rush. Of course! Lopo is a dog-like creature who lives in the circ-zoo on the starship my heroine Claudi is traveling on! Lopo helped save everyone from the Throgs! How could I forget?

In my defense, I did write the novel over 15 years ago. But still, you’d think a writer would remember his own characters, wouldn’t you?

Maybe not. The next night I took a short story I’d just drafted to my writing group for vetting, and Richard says to me, regarding the main human character, “Didn’t you have a villain named Jarvis in one of your novels?” I sit scratching my head, willing to believe anything at this point. Then I remember: Jarvorus, the false-iffling in Dragon Rigger. Close enough!

I wonder if it’s time for me to reread all my own stuff, so I won’t keep redoing it.

“Write a wise saying and your name will live forever.” —Anonymous

Sunborn Pub Date—Finally!

I’m happy to report that Sunborn (Chaos Chronicles #4) finally is firmly in the Tor schedule. I’m less happy to report that it’s been pushed to Fall 2008! (As I recall, I went all-out to get it finished so it could make the 2007 schedule. However, revisions and delays and various back-and-forthing has resulted in its being pulled and reslotted several times. So, Fall 2008. To those of you who have been waiting so patiently and understandingly, thank you and please stick with me just a little longer. (Now, don’t mind me while I go off in the corner here and quietly scream: “Aaaaaiiiiiiieeeeee!”)

The good news is, there’s now more lead time to solicit quotes from influential voices—not so much, as you might think, to adorn the cover, but more to generate enthusiasm within the sales and marketing halls of the publisher. Yes, expectation is everything, and if those responsible for selling it are excited about it, chances for a successful promotion go way up. (Now, that’s all assuming it gets good quotes. Let’s not put the rocket before the nosecone.)

Anyway, there you have it: Tor Books, Fall 2008.

“Writing is easy. All you have to do is cross out the wrong words.” —Mark Twain

Masters of Science Fiction

I was probably the last on my block to hear about it, but thank heavens I did. ABC premiered a new, not-quite-series called Masters of Science Fiction last Saturday evening. Fortunately, I saw something in the paper in time to set my DVR and catch it. It’s an anthology series (or not-quite series, since ABC hasn’t committed to continuing it beyond a few episodes) featuring adaptations of short stories by noted SF writers, including Kessel, Heinlein, Ellison, and others. Each story will be intro’d, and I guess outtro’d, by the voice of physicist Stephen Hawking, ala Rod Serling.

I quite enjoyed the first episode, “A Clean Escape,” based on a short story by John Kessel. Well written and acted, and pretty powerful.

Who knows how long this will last, so watch it and support it (Saturday evenings at 10, Eastern time). Maybe if it gains an following, ABC will see that there’s an audience for more than one intelligent SF show on TV! Wouldn’t that be great?

“The mere habit of writing, of constantly keeping at it, of never giving up, ultimately teaches you how to write.” —Gabriel Fielding

Sunshine

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I went to see the movie Sunshine today with my family. Definitely a mixed bag. Lots of boneheaded science mistakes, of course (more on those below). The first half of the movie is pretty interesting psychological drama, reminiscent of Solaris. Unfortunately, it turns into dumb horror in the second half. All in all, it has some good moments and great visuals, but it would also be a good candidate for Mystery Science Theater 3000, if they ever revived it.

An article in today’s Sunday Boston Globe is fairly laudatory about the movie. I really had better things to do, but I couldn’t help myself, so I wrote the following letter to the editor:

“About the movie Sunshine, Tom Russo writes (in the Sunday movie section) that “there’s nothing as inscrutably mind-bending as 2001 here, but nothing that’s Armageddon obtuse, either.” Actually, there’s plenty of Armageddon-level obtuseness in the film, including the premise that dropping a huge bomb onto the sun would somehow jumpstart the fire if it had gone out. (Bad science! Sit! Stay!) But if you buy that for the sake of enjoying the movie (and I was willing), then Sunshine has a pretty good psycho-drama going for the first half, reminiscent of Solaris. But the cracks start showing when you notice that the spaceship has the obligatory rotating elements, presumably for artificial gravity–but it does not seem to be the living quarters that are rotating, so what’s the point? Then when fire strike the greenhouse, source of their oxygen, what do they do? Vent the air to put the fire out? No! Feed it more oxygen to make it burn hotter! (Very bad science! Go lie down!) I probably shouldn’t even mention the huge derelict spaceship full of floating sloughed-off human skin–dandruff from a crew of, what, seven people?

Quite apart from the science, the story eventually devolves into silly horror, redeemed somewhat by a nice philosophic moment at the end. It’s not that the movie has no good points, because it does–but a film that aspires to have “a very rigorous realism attached to it,” as the director is quoted as saying, really could do much better.”

Probably won’t get printed, but at least I’m trying to give NASA its money’s worth back from the astronomy workshop!

On the plus side, there were some projection glitches, and the theater gave us return visit passes on our way out. Maybe we’ll go to The Simpsons next, and see how they score on the science. 🙂

Somewhat relevant to the efforts of the filmmakers:

“I use exotic settings, but the settings are like the function of a Chinese stage. They are intended to lay bare the human mind, to throw torches over the underground lakes of the human soul, to show the chambers wherein the ageless dramas of self-respect, God, courage, sex, love, hope, envy, decency and power go on forever.” —Cordwainer Smith

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