Sunborn Update

Since Sunborn (Chaos Chronicles Book 4) has been delayed until Winter 2008, it got pushed back on my editor’s desk while he dealt with a couple of other books. This is frustrating in that I haven’t heard any reaction to it yet, but at the same time it’s giving me some additional time to continue the editing at my end. So I’m still going through it, doing polish and cleaning, and fixing some problem spots pointed out to me by my intrepid writing group and by my wife. (Well, okay—I didn’t do diddly on it for about 3 weeks during the holidays—but I’m back to it now. When I’m not doing taxes; see other post on that.)

On the one hand, I feel pretty good about the way the book came out. On the other hand, I’m ready to kick it out the door and move on to something new. Like Chaos Book 5, which I’ve written the first page of, just to get it started. Or maybe finding a new business model for being an SF writer. I think I feel a post coming on that subject. Later, though.

BSG—It’s Everywhere

I finally decided to take a few minutes to switch my Blogger account over to the “new” Blogger, whatever that means. I was amused by their informational page, which explained the upgrade by comparing it to the difference between the old Battlestar Galactica, with Lorne Greene, and the new Battlestar Galactica, with Edward James Olmos. (Their link to the Wikipedia article on BSG then led me to squander an hour figuring out how to add information about the book series to the BSG article. So much for just taking a few minutes.)

I’m amazed at how thoroughly Galactica has permeated popular culture. I mean, it doesn’t even play on a broadcast network. If it weren’t for the recent move to free On Demand rebroadcasts, I wouldn’t be seeing it on my own cable box. And yet, I frequently see references to it in print, it turns up in comic strips like Sheldon, and here it is, being used as a point of reference on Blogger. It’s fun to be associated with it, even if the association is small. Last night we watched episodes 8 and 9 of the current season (boxing episode and food-crisis episode), which weren’t at all bad, if not up to the level of the preceding 7. I’ve been asked not to give spoilers, and I won’t, but I’ll say that while there was great backstory in #8, I was less drawn in by the front story; and #9, about the food crisis, showed once again that they’re better at writing stories about human drama (or melodrama) than they are at anything involving science. (Even so, it had a powerful ending.)

Speaking of Wikipedia, check out the new article on star rigging created by blog reader Kitty. (Kitty is a relative of mine, but I’ll be danged if I can explain how we’re related. Can you, Kitty?)

SUNBORN Is Still…(probably) SUNBORN

Okay, I didn’t mean to not follow up for a week and a half, but I sort of crashed and burned after turning the book in. I still have some editing work to do on it, even before my editor comes to me with comments, but all the things I’d been putting off while finishing the book came rushing back at me.

Meanwhile, my editor and his assistants started saying they liked another title better. (After saying, all this time, “They’re all good—just pick the one you want.” Aaaiieee!) But I think we’re holding firm. I ran it past some more writing colleagues, and they preferred Sunborn.

I’ve been doing stuff like rewriting dust-jacket copy and coming up with a sort-of synopsis of the first three Chaos books, for the benefit of new readers. That’s a lot harder than you might think. It has to be short and enticing, and not a boring plot summary. It’s probably a good thing that this came right after we talked in the SF writing workshop about writing good query letters, and the importance of keeping it short and not writing boring plot summaries. I needed a dose of my own advice, and it was helpful.

Meanwhile, I just got word that scheduling changes at Tor are forcing a delay in the pub date. Auugghhh! Now it’s scheduled for winter of 2008, just a little over a year from now. The good news is that it’ll allow more time for proper preparation, by which we mean getting (we hope) nice quotes from other writers, in time to get the sales and marketing people excited about the book. (You probably thought publishers put all of those quotes on books to entice you to buy them. That’s partly true, but they do it even more to entice sales and marketing to get excited about the books.)

That about all I have on Sunborn right now. But I’ll sign off with the news that wrestling season has just kicked off for my daughter, and she started off with a pin in her first meet. That’s the way to start your senior year!

SUNBORN becomes…SUNBORN

Yes, I have decided to stick with the original title! And I have just five minutes ago emailed the completed manuscript to my editor. (Long, long sigh.) And now…I have been up all night, and I am going to bed. To bed, to bed, to bed….

More on all this later.

Chaos Book #4 — Major Rewrite Done!

Earlier today, a friend asked me by email how the chaos of my Chaos book was coming. Here’s how I answered: “You remember the movie Dr. Strangelove? At the end, where Slim Pickens rides the A-bomb down to its target like a rodeo rider, waving his cowboy hat like a maniac? He shrinks away and the ground rises up fast? That’s where I am in the book.”

Well, a short time ago, I finished up the 2nd major draft of Sunborn—I mean, Cradle of Stars—I mean, Crucible of Stars—I mean, no I don’t know yet what the title is! Who cares? Chaos Chronicles Book 4. Ya-ya-ya-ya-yah!!!

What a killer! But in the end, I started enjoying it and having fun again. I think I straightened out all the insane chapters that made no sense in the first draft, and I cut out maybe 140 pages outright, and added in 100 pages of new. This draft is about 40 pages shorter than the first.

(You understand, don’t you—when I say “2nd draft,” I mean second time through from beginning to end. Pick a scene or chapter at random, and it’s probably had 5 or 8 or 10 drafts.)

Now…I have approximately one week before the date I promised it to my editor, do or die. I start a final pass tomorrow, from page 1. There’s stuff I have flagged for further attention, and I’m sure the early chapters (not looked at in a year!) will benefit from tightening. That’s to get it into good enough shape to send it in, and hopefully for him to say, yeah, we can send this out to people and hope we get some quotes.

Then the real editing begins. But more on that later.

Cradle of Stars? Crucible of Stars? In Search of the Lost Star? No, no….

Jack Williamson (1908 – 2006)

One of the towering giants of the SF field has left us. Jack Williamson, who traveled in a covered wagon as a boy in the American Southwest, and on many a starship in his fiction, died today at the age of 98. His first short story was published in the Dec. 1928 issue of Amazing Stories. His novel The Stonehenge Gate was published in 2005. He won many awards over the years, but most recently he won both the Nebula and Hugo Awards for his novella “The Ultimate Earth.” That was in 2001, and I was proud to be on the same ballot with him (for a novel; I didn’t win).

I didn’t know him well personally, but we served together on the SFWA Awards Rules Committee (formerly the Nebula Awards Committee), and had many email exchanges in the course of that business. I was proud to be on that committee with him, too.

There’s a good summary of his life and career on wikipedia.

Jack, you’re in a greener place now, where royalty checks never come late! Smile down on us and wave!

Titles, Titles

As I said in the previous post, I’m debating whether to change the title of the book I have been writing all these many years as Sunborn. The main reason is that another SF novel was published in the last year or so called The Sunborn. Now, you can’t copyright titles, so that’s not the issue. Causing confusion among readers and booksellers, however, might be an issue.

I’ve always liked the title Sunborn, and it’s one of those rare cases where I actually thought of a title I liked right off the bat as I sketched out the idea for the story, so that makes me reluctant to let go of it, also. On the other hand…there is that confusion thing.

So I’m thinking of calling it Starborn instead.

(The story is set in the star nursery of the Orion Nebula, where stars–suns–are born. And where there is trouble in Star River City.)

If you folks out there in blogland would like to be my focus group and weigh in with your opinions, I’d be glad to hear them.

Currently on a Writing Retreat

I’m currently squirreled away at a bed & breakfast on Cape Cod, taking a 3-day writing retreat to really concentrate on the last 120 pages of the rewrite of Chaos Chronicles #4, which I have been calling Sunborn all along (though that might change). My wife fixed this up for me back in August, as my birthday present. (Good wife!) I’m sitting in front of a fire with my laptop, trying to figure out the remaining thorny questions in the storyline/plot/background of the book.

Just taking a few minutes to post this update. However, I’m also going to take this opportunity to say Happy Birthday to my friend Victoria, member of my writing group for significantly more than 20 years! (Slug that I am, I forgot to say this on her birthday, so I am trying to make amends by shouting it to the world.) Happy Belated Birthday, Victoria!

Writing Question #X (and Y and Z): “Can You Help Me Break In?”

I get a fair number of emails from aspiring writers asking for advice, which is why I created an advice page on my web site—and a little less directly, why I created a free online writing guide (supposedly geared to younger writers, though from the occasional thank-you note I get, I don’t think it’s just kids using the site). Some people hope I will read their work and comment on it, or give it a blurb.

I am not unmoved by these pleas, but the answer I must give is, “I’m sorry, I cannot help beyond what I’ve already tried to do.” If they ask me to read their work, I refer them to still another page I created, explaining why I can’t. Most people seem to understand, but there’s always this nagging sense that people think I can somehow help them get an in. That’s a heartbreaking illusion.

Here’s what I said, basically, to one person recently who thought I should do more:

You have a burning desire to write. I hear from a lot of people who want to write. And they all want to know the same thing: Can I help them “break in”? The truth—WITHOUT EXCEPTION, not one single exception—and I can tell just from reading their emails—is that they don’t need help “breaking in.” They need to learn to write. They need practice, they need training, they need a workshop to get feedback, they need to understand that writing is a difficult and demanding craft and it TAKES TIME AND DISCIPLINE TO LEARN. No one wants to hear that, ever. It’s not about developing contacts, or knowing the right people, though eventually those things can help.

It’s about learning to write. I can’t help everyone in the world learn to write, though I try through my course and workshops I teach at. Find people in your college, or your community, or through paid or online workshops who can help you learn the things you need to know.

People seem to feel betrayed when I say that, but it’s the truth.

My final suggestion was two books that we’re using in the workshop that I’m teaching with Craig Gardner: Bird by Bird, by Anne Lamott and Stephen King’s On Writing. They both have a lot of wisdom about writing, and being a writer. (There are, of course, many other good books on writing, and some not so good books.)

Come to think of it, if any of you has a favorite book on writing, why don’t you leave a comment about it? We can compile a list.

Writing Media and Other Tie-In Novels

Lately I’ve been getting a spate of emails from people asking questions such as, “How can I write a Battlestar Galactica / Aliens vs. Predator / Universe-of-Your-Choice novel? Do I just write it, or how do I get the rights, or what do I do?” It’s a perfectly natural question, and a natural desire. The answer, though, is one that most people won’t want to hear.

First I should specify that it depends whether you’re talking about writing “fanfic” just for fun, for your own amusement—in which case, the answer is, have at it! (Just don’t try to publish it.)

But I suspect that’s not what most people mean. Most correspondents, I think, hope to write and publish a tie-in novel. I suspect the motivation stems partly from a love of a particular show or universe, and partly from a belief that this may be an easier way to get published. It’s not. What you have to understand is that these projects come about through complex rights arrangements which publishers make with the studios, before so much as a word is set to paper. Once the publisher has an arrangement, then the editor in charge of the line goes looking for writers to write the books (whether novelizations of film/TV productions, like my Battlestar Galactica book, or original spin-off novels, like Craig Shaw Gardner’s Galactica book).

In other words, tie-in projects are generated by the studio and publisher, who then look for writers they think are best for the job. And editors for these books tend to turn to writers whose work they’re already familiar with, maybe even writers they’re already working with. Other writers may apply, but there’s little chance of getting a nod without a publishing track record. They want to know you can do the job. And they usually want the book written yesterday.

So…the short answer is, if you want to write a book in someone else’s universe, get busy and write some stories in your own universe first. (Quit wasting time reading blogs!) Get published, get noticed. Then maybe one day you, too, will get the call.

Oh—and you can learn a lot more about this business than I can tell you at http://www.iamtw.org/articles.html.

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