(This continues the story of my journey to an audiobook of Neptune Crossing, begun in yesterday’s post. If you haven’t already read that, start there.)
After several failed attempts at putting The Chaos Chronicles into audio via podcast, I was metaphorically trapped and rudderless in the great clouds of Jupiter. I gave it a rest for a while.
My focus returned to writing. Audiobooks took second place to ebooks. I joined Book View Café, a marvelous cooperative publishing venture of several dozen veteran authors, including some highly respected SF writers. It was a smart move. I was doing my ebooks in community now, not just on my own.
And suddenly a path broke open in Jupiter’s clouds! In a remarkable breakthrough, a resourceful BVC member got us a distribution deal with Audible: We had a first-rate list of books, and they would make audiobooks of pretty much everything we offered them! They took my two short story collections, which was all I could offer at the time. I didn’t have the rights to my remaining books. I wondered if I could get just the unused audiobook rights back. I asked. And asked again. For two years.
I was never told no, just that so and so was away, or on leave, or… silence. Finally, one day, word came through: They weren’t just reverting the audiobook rights of certain books; they were reverting all rights. The books were mine again, to do with as I pleased. Good-bye, Jupiter! BVC and Audible, here we come!
This is going to be great!
And perhaps it would have been—if it hadn’t come two weeks too late. Audible had changed their policy. They would not be adding these books to their list. Nooooo! We were free of Jupiter, but on a slingshot trajectory into the endless void.
My only option seemed to be to pay a narrator and do the book myself. But I didn’t have the time or money. I grew ever more discouraged, as all the planets we knew dwindled in our viewer.
And then… something unexpected twinkled on the scanner: Skyboat Media, Stefan Rudnicki’s recording company. I already knew and loved Stefan’s work narrating other books. His voice is deep and resonant, with the gravitas and character of James Earl Jones. His name would have been at the top of my request list. But there was no way I could afford to hire him and make an audiobook on my own dime.
Eventually, I set aside my discouragement and sent Stefan an email: Would you be interested in looking at a couple of my books and telling me what you think? To my delight, he got back to me right away. He was interested. I sent him some ebooks. And a week later, I had his answer: He loved Neptune Crossing and wanted to narrate it. I could hear the enthusiasm in his voice. Further, he was offering a publication deal, with a modest advance and distribution through Blackstone Audio, a giant in the field. It would be in Audible and iTunes, as well—and all with one of my favorite narrators lending his voice to the story!
Did I mention that Stefan is a Grammy and Hugo winner for his narrations?
I did not have to think for longer than it took to pinch myself. The deal was struck, and soon Stefan was at work recording. And now the audiobook of Neptune Crossing is finished, and is live in all the major places where audiobooks are sold!
And you know what? This time, it is great!
Final note:
If you like audiobooks, I hope you’ll give it a try. If you’ve never tried an audiobook before, I can’t think of a better place to start. If this goes well, the rest of the series will likely follow!
And here’s Skyboat Media’s video trailer, which itself is pretty cool:
