So, the last couple of weeks were pretty hard, with my brother’s passing—and thank you all for your kind thoughts and wishes. Now I’m trying once more to get up a head of steam. The Reefs of Time launches in just three weeks!
What I’m focusing on now is proofing and correcting the print edition of Reefs, and yes, this is getting close to the wire. (And any corrections I make that are not just formatting, such as bad hyphenation, uneven spacing of justified text, and so on—meaning word or punctuation or italicizing corrections—all those have to be copied into the ebook and the source file, as well. It’s an incredibly finicky business.)
Due to unavoidable scheduling conflict with my brother’s memorial service in August, I have canceled plans to attend Worldcon in Dublin. That hurts, because I picked the launch date specifically to have the book out in time to promote it at Worldcon. Well, family first, and no regrets about making that choice; I just wish it hadn’t happened. And I mean that in every possible sense.
Okay, this 460-page book isn’t going to proofread itself. See you later.
We are at 52 days and counting, for the launch of The Reefs of Time! You can tell by the countdown timer I’ve installed on the front page of my website. I’m taking this seriously! This is rocket science. Also, alien science, with a side of quantum entanglement, on a scale that no human scientist would know how to do. (But those alien scientists: They’re pretty smart. If you don’t believe me, take a ride in one of their n-space ships. Basically, 0 to 60 [parsecs] in three imaginary seconds.)
I decided I needed a name for this project. It’s not just a launch of Reefs, and not just a launch of Crucible. It’s also a relaunch of all the earlier books in the series—in print, not just in ebook. I got tired of calling it “my book launch mega-shoot-me-now-project,” or whatever phrase sprang to mind at any given time. As of today, it’s Operation Countdown! Our motto: Launch or Die!
Here’s where we are in the countdown:
Uncorrected (but still pretty good) eARCs, or ebook advance reading copies, ready — Check!
Reefs proofread and corrected and formatted for print — Check!
Reefs cover finished — Check!
First print proofs ordered from Amazon — Check!
First print proofs from Ingram… um, still vaporware. Soon! Soon!
First review-copy eARCs sent out to Publishers Weekly and Locus — Check!
Review-copy print ARCs sent out to other publications… Soon!
Review eARCs available through NetGalley to qualified reviewers — June 1 — Check!
Various promotional activities underway (Bookbub promotion, coasters, flyers, ads, other stuff) — getting there! Marathon, not a sprint!
Crucible proofread, and corrections and formatting… In progress!
Crucible cover art — In progress!
New print editions of four previous books… in progress, but not very far along. Hope springs eternal.
Can I stop now? (That’s actually just the highlights. I could keep going, but you get the idea.) By the way, that image up there is the full wraparound cover for the print edition, gorgeous art by Chris Howard and smackdown type design by Maya Kaathryn Bohnhoff. Click on the image to see it bigger and clearer. It’s in CMYK format, which is for print. The colors are a bit exaggerated on a screen.
Launch at 52 days and counting. What’s that gokat doing on the launch gantry??
I need your help! At one of the Nebula panels, a successful indie writer talked about mobilizing your “street team” to help get the word out for you. I don’t have a street team yet. Will you join my street team?
Specifically, are you attending any upcoming SF conventions? Do you circulate in places where books could be promoted? Are you part of an SF club? I have right here a stack of Reefs of Time flyers and Reefs of Time coasters. Would you be willing to take some with you to a con or similar venue, and distribute them for me? I would be immensely grateful.
In fact, besides the obvious that you’d get to keep a few coasters for yourself, I will joyfully send an eARC of both books to anyone who pitches in! (eARC = ebook Advanced Reading Copy) You can be first to read the new books! All I ask is that you help me with a bit of publicity.
If you’d like to join in on the fun, please email me from the contact form on this here website. Thanks in advance.
I’ve shown you pieces, I’ve shown you snippets, I’ve teased you. (Okay, if you’ve gone to the actual book page, or Amazon or something, I’ve shown you the cover. Look, I’m a novelist, not a publicist.) But now for the first time here, in glorious full size, is the cover for The Reefs of Time!
Art by Chris Howard, design by Maya Kaathryn Bohnhoff
I think it’s pretty cool, and I hope you do, too. The artist, Chris Howard, was once a student in a writing workshop Craig Gardner and I ran, and now he’s not only an accomplished writer, but an accomplished artist, also. He did the covers for The Infinite Sea and Seas of Ernathe, as well. Maya Kaathryn Bohnhoff has done the type for the majority of my ebooks.
Like a runaway freight train. I haven’t posted in a while, and that’s because I’ve been busier than a one-armed steam-locomotive engineer without a fireman, boosting this project toward launch date!
The editing is all done, and both books are out with a colleague for proofreading. The cover for Reefs is done. Preorder buttons are starting to appear. The website is updated (for Reefs, not yet for Crucible.) A newsletter announcement with an excerpt from the beginning of the book is in prep (going out soon!). I’ve submitted advance ebook copies (eARCs) to Publishers Weekly and other review sites, and queried some more. I have not yet seen Avengers: Endgame. This thing is really happening!
Here’s the long and the short of it:
The Reefs of Time (Part 1 of the “Out of Time” sequence) is scheduled for launch on July 23, 2019. Simultaneous ebook, trade paperback, and hardcover. Prices TBD, except that during the preorder period, the ebook is discounted to $6.99.
Crucible of Time (Part 2 of the “Out of Time” sequence) is scheduled for launch on September 10, 2019. Pricing similar. Not yet out for preorder. (The cover is still being developed.)
More news to come. I’m excited! I hope you are, too!
Or in the case of this book, too much time. For you to be waiting, that is.
Here it is: I’m publishing The Reefs of Time in two volumes—two months apart—in both ebook and print.* I’m aiming for July and September. Yes, of this year, wise guy. I want to promote the launch of the first one at worldcon. Each volume will be heftier than any of the other Chaos books except Sunborn. Taken together, they’ll mass something just shy of a neutron star, or maybe a quantum black hole.
Okay, that could be an exaggeration. But I do hope they’ll suck you in, heh-heh.
I have a mountain of work to do to prepare for this. But today I want to talk about titles. Specifically, the title of the second book.
My first thought was, The Reefs of Time (Vol. 1) and The Reefs of Time (Vol. 2). But that doesn’t work, because it’s already Volume 5 (and 6) of The Chaos Chronicles and the potential for confusion was endless. So I started noodling around titles for the second part. Until a few days ago, I thought it was going to be:
The Reefs of Time (and) A Triumph of Time
But then I had an epiphany. How about this, instead:
The Reefs of Time (and) Crucible of Time
I actually like both. But I think “crucible” sounds more dangerous. Riskier. Anything can happen.
What do you think? I’m inviting comments, or even alternative suggestions!
*In case you missed it, these are no longer going to be published by Tor. I am publishing them under my own Starstream Publications imprint, in cooperation with Book View Café.
Grab a partner and hold tight!The Reefs of Time have taken a sharp left turn. My long-time publisher, Tor Books, has declined to publish it, sight unseen.* This came as something of a shock. The reason given is that it’s been too long since the last book—which is certainly true.
Fear not—the project is not grounded! But it has changed direction abruptly. I will publish it through my own imprint, Starstream Publications, in cooperation with Book View Café. While at first glance this seems like a setback, I choose to regard it as a blessing and an opportunity. I’ll get the rights back to the earlier material, and can now control the entire series, top to bottom. And I can publish the new work the way I want.
It does mean I have a lot of work cut out for me, and I don’t just mean publishing Reefs. Before the new book can come out, I need to have all the first four books available in new print editions, so that new readers can start at the beginning and read the whole story. These books are already available in ebook, but many people still prefer print. And then, of course, I need to do all the production of ebook and print book on the new novel—including cover design.
I have hired an assistant for the promotional efforts. I have called on artist and writer Chris Howard, who has already done two covers for me, to outdo himself. Various of my colleagues, both in and out of Book View Café, have stepped forward with offers of help. It’s been amazing, really. Still others have offered strong encouragement, including some terrific authors who have been dropped by traditional publishing and gone on to do exactly what I’m doing, and done quite well at it.
This all happened suddenly, and it’s too soon to have a realistic time frame sketched out. But my goal is to have the new work out in time for the World Science Fiction Convention in Dublin, in August.
Damn the torpedoes! Full speed ahead!
*This might seem odd, since I’ve been working on the book with my editor for about eight months. But he’s working on a consulting basis for Tor, and it was only when the books were ready to go into production in-house that the editorial oversight team at Tor said no. I’m not taking it personally; in fact, they’re settling graciously, and unlike many authors I’ve known in similar positions, I’m getting all my rights back without a fight. It’s an amicable divorce. There are no hard feelings on my part.
It’s been quite a while since I posted anything about the book. The reason is that the editorial process has been excruciatingly slow, and it’s not done yet—though I’m done with my revisions, at least for now. For reasons I’m not going to get into, the work process on this book is unusual, and the primary editing has been handled by an editor not on staff at the publishing house. Now it goes to an in-house editor, and that may entail more work; I don’t know yet.
The long and the short of it is, I don’t have a publication date yet. I think it’s likely to be published in two volumes, hopefully close together. But I don’t know that for certain, either.
Do I hear you groaning? Oh, me too! Me too! In fact, your groan is just an echo of my own! But I’ll post more info when I have it. Please keep hanging in there with me! I can’t do this without all of you behind me!
Lest you think that veteran (i.e., experienced, tempered, refined—don’t say old!) writers are immune to beginning writer mistakes, all I can say is, think again. It’s confession time here in the Star Rigger foundries, where we labor 24/7 converting raw words into story for our ravenous audience. I’m going to share some revealing facts.
My editor, in the course of a long email full of editorial suggestions, helpfully provided me with a list of words and phrases I used too often. Now, all writers have verbal tics—that is to say words and expressions that they use habitually, without even noticing. Turns out, I have my fair share. And with my editor’s list in hand, I used the Find functions in Scrivener and Word to, er, find them and see if I could root some out. Turns out I could—by deleting, by using other words, by recrafting sentences (usually making them stronger in the process). Here’s part of the list, followed by the number of times I used the expression initially (in the 268,000-word book), and then the number after I’d gone through and cleaned things up:
indeed 50 / 14
very 323 / 96
draw(n, ing) 68 / 28
drew 89 / 29
further 76 / 27
farther 31 / 43 (some furthers got corrected to farthers)
clench(ed) 27 / 7
knot(ted) 25 / 9
. And 546 / 209
Did I really use “very” that many times?? Turns out I did. Usually in phrases like “very much want to…” And the last one, in case it’s not clear, is sentences starting with “And”—not unlike this one. Sometimes that’s a very—um, an effective usage. Other times, it’s just lazy habit. I still haven’t gone through and looked for excessive em-dashes—or ellipses… but I will.
I spent literally days of the most tedious editing imaginable doing this. But it was necessary, and you will all be happier for it when you read the story, though if I did my job right, you will never notice.
Most of this happened when I was in Florida helping my brother. I was intending on my flight home to sprinkle all the deleted very’s and And’s and clenched fists out the window as bread crumbs for the birds and the fish below; but alas, I did not get a window seat. I’ll sell them to you for cheap.
Now that I have The Reefs of Time revised to the point that I can send it to my publisher, the time has come to face the question of whether I have written one book or two. At 268,000 words, it is the length of two substantial novels. Before I get into the marketing and art questions, I’d like to ask you readers: Which would you rather see? One big, honking book at a higher price (and probably with small print in the paper version), or two reasonably priced and sized volumes with a cliffhanger and probably a year’s wait between the two?
Do you have a preference? Sound off in comments. The question is open to the floor!
For comparison, the standard length of an SF novel used to be, oh, 60-90,000 words. But it’s grown over the years. Here are rough word counts of some of my other novels:
On the other hand, GRRM’s A Game of Thrones is 284-298,000 words, depending on whom you quote.
The Chaos Chronicles was originally supposed to be a long story arc told over a series of short-to-medium novels, each of them pretty self-contained and written quickly (hrrm). By the time I wrote Sunborn, that plan was reeling toward the open window. With Reefs, well…
From a publishing perspective, there are many good reasons to split the book, and, hell, maybe earn some money on the project. From a storytelling perspective, it would be a sea change for the series—a single story, broken in two. Not unlike many TV programs nowadays. Or, um, the Avengers movies. In books, think Connie Willis’s Blackout and All Clear.