More on the Kindle 2 and Read-Aloud

In my last post I wrote about the controversy raised by the new Kindle’s ability to “read aloud” ebook text files, and the assertion by Paul Aiken, executive director of the Authors Guild, that this constituted copyright infringement.

There’s a provocative (and occasionally surrealistic) discussion of the question at the Mobileread.com forum thread: New Kindle Audio Feature Causes a Stir.

And from someone who apparently is an ex-copyright attorney, this interesting page on Engadget.com: Know Your Rights: Does the Kindle 2’s text-to-speech infringe authors’ copyrights?

I’m guessing that this is a question that’s going to drag on for a while. Wonder if it’ll make it to court. Although I find myself on Amazon’s side on this one (odd feeling), I think it’s probably a legal gray area.

Someone on Mobileread asked how I’d feel if C3PO read Sunborn aloud to a stadium full of paying guests. I said I thought that would constitute a performance, and wasn’t relevant to this discussion. (I didn’t raise the question of whether C3PO is sentient and shouldn’t be considered a machine, but maybe I should have.)

Now, if someone gathered a stadium full of people all with Kindles with Sunborn loaded, and in unison they started a mass read-aloud, with or without my permission, I would think that was…pretty damn cool!

Someone want to organize that for me? 🙂

Kindle 2

This week’s big news in books, of course, was the official unveiling of the Kindle 2, Amazon’s second-generation ebook reader. Michael Gaudet of E-reads offers his appraisal, noting some of the new Kindle’s enhancements:

  • slimmer, with more memory and longer battery life
  • faster screen refresh
  • redesigned buttons for navigation
  • faster book downloads, and “Whispersync” to keep multiple Kindles synchronized wirelessly
  • a text-to-speech voice synthesizer, to read your books aloud to you

These all sound like pretty nice enhancements. But as I look at the device, I’m not regretting my choice of the Sony PRS-700. The built-in light and the touchscreen on the Sony still put it way out in front, in my book (so to speak).

But the Kindle announcement hasn’t come without blowback. “They don’t have the right to read a book out loud,” said Paul Aiken, executive director of the Authors Guild. “That’s an audio right, which is derivative under copyright law.” (From the Wall Street Journal online.)

Well.

I’m a member of the Authors Guild, and I was a little horrified to hear Mr. Aiken make this claim—because to my way of thinking, having a Kindle (or any device) read a file aloud should be no different in copyright terms from my reading a book aloud to my family. I mean, really.

And yet, I understand why he made the statement. Authors often license audio rights separately from other rights. There’s a natural concern about anything that could cut into audiobook sales. But to me, there’s a big difference between a machine reading of a stream of text and a professionally produced audio reading by a professional reader who gives the reading inflection and expression, perhaps with the help of music and sound effects. Now, it may well be that some people who like audio books will forego buying audiobooks if their Kindle will read text aloud in a computer voice. (Given that Amazon owns Audible, I imagine there were some in-house discussions about this.) So clearly this is an arguable point. But I still don’t agree with Mr. Aiken, even though he speaks for my organization.

I’ve been frustrated for years that read-aloud is disabled on my own ebooks sold through outlets such as fictionwise.com (a retailer I am otherwise very happy with, I hasten to add). The only format, until now, in which this was relevant was Microsoft Reader format, because only MS Reader had that capability. I’ve always felt that if people bought my ebooks and they preferred (or needed) to listen to it through a computer-synthesized voice, they should have that choice. Why not? They bought the book. It turns out that the disabling of this feature is the policy of Fictionwise. But I wonder now, in light of the statement from the Authors Guild, if maybe it’s based on fear of backlash from publishers who might see text-to-speech as an infringement of audio rights.

What a crazy business. I suppose one day computer synthesized voices, combined with AI-comprehension of a book’s content, could produce a sufficiently expressive reading that it might compete with a true audiobook. But that seems unlikely in the foreseeable future.

For now, my basic position is, whatever gets people buying and reading books (both e- and p-) is probably good. Whatever gets in the way of it is almost certainly bad.

Brief Catch-up

Last weekend, I spent a day at Vericon, a small but cheerful convention at Harvard University, which had as its guest of honor Kim Stanley Robinson. Stan and I had met once or twice before, but many years ago, and it was good to become reacquainted. Dinner with Stan, Jim Kelly, and Paul Di Filippo was a high point of the day, though it was also good to offer some students from the teen writing workshop I ran with Craig Gardner a chance to see a con on a small scale.

Last night I completed the proofreading and minor edits on the text of The Infinity Link, and sent the RTF file off to the folks at E-reads, who will prepare it for commercial ebook release. Artist David Mattingly graciously assented to my using the original cover art from the Tor and Bluejay print editions on the ebook, so it’s going to look great. Here’s the full wraparound, shrunk way down:

The Infinity Link cover art by David B. Mattingly

I made very small changes in the text, mostly to get rid of anachronisms such as the references to the Soviet Union, and some outdated computer terminology. After all the story takes place in the year 2034, and the future simply isn’t what it once was.

Now I’ve begun similar work on my very first novel, Seas of Ernathe, originally published in 1976. It’s interesting to see how my writing evolved and grew between my first and fourth novels—and how it compares to my work now. I’ve definitely grown more skilled as a writer, but I miss the quick bursts of creativity I had when I was in my twenties.

For a good tongue-in-cheek glimpse of how books get from typewriter to bookstore, check out this video from MacMillan publishing. (With thanks to Richard Curtis in his E-reads blog for bringing it to my attention.)

BSG Meets The Atlantic Monthly (!)

The Atlantic is a terrific magazine, but possibly the last place I would have looked for an article on Battlestar Galactica, the edgy TV series that’s probably done more to shake up science fiction on television since the original Star Trek. Nevertheless, in the new (Jan/Feb 2009) issue, James Parker writes in The Atlantic about BSG, just as the show locks and loads for its final stretch (hitting the cablewaves next Friday night!). In Lost in Space, Parker gives a reasonable account of the origin of the reimagined show, except that he brings L. Ron Hubbard into the account—Hubbard having said that space opera was really “the stuff of deepest prehistory, somber emanations from the memory of the species.” That dovetails, admittedly, with BSG’s premise that Earth is not the cradle of humankind, but rather the latest stop on a long journey.

Parker turns a tad snarky about the direction of the show, saying that “Battlestar Galactica is presenting all the symptoms of a an extended-run high-concept TV series in its decadent phase.” Now, he may be right—certainly I’ve wondered more than once whether the show’s writers actually know themselves where they’re going with the story. I’ve wondered that ever since I wrote the official novelization of the miniseries, and had the feeling that there was a lot they weren’t telling me about the direction of the show because they weren’t sure themselves. Fair enough. Half the time I don’t know where I’m going when I’m writing a novel. Why should it be any different for the creators of a years-long TV series?

On the other hand, maybe those writers know exactly what they’re doing, and we’re just entering the twistiest part of the world’s most gut-wrenching aerobatics show. That’s my vote, an expression of white-knuckled faith. They better know what they’re doing—it’s coming back on, and looks like it could be augering in, and I, for one, want to know how they’re going to land that baby!

“You write about the thing that sank its teeth into you and wouldn’t let go.” —Paul West

You Can Have My New Sony Reader…

When you pry it from my cold, dead fingers. Just like Charlton Heston and his guns. People, I love my new Reader. I love the built-in light, I love the 150 or so books I have on it right now, with room for about a thousand more. I love the way you can organize them, to make titles easy to find. I love the way, with the help of a program called Calibre, I can import books in other formats and convert them for reading on the Sony, and even share them with Allysen, who is discovering that she loves reading on her new iPod Touch. I’ve actually been getting a lot more reading done since adopting my PRS-700.

I’ve named it Plato.

Most of what it’s filled with now is free ebooks, either from the general sources like Gutenberg.org, Manybooks.net, and Feedbooks.com—or from the free offerings of Tor, Baen, and other publishers. I’ve bought a couple of ebooks, including the Collected Stories of Vernor Vinge (but, ironically, his iconic and groundbreaking story about the net, “True Names,” does not seem to be available in ebook form).

I’m slowly returning the world of productive work, following the holidays. I’ve signed up my novels The Infinity Link and Seas of Ernathe for the ereads program, which already features five of my novels, so they’ll be available in electronic format before too long. (Also, The Rapture Effect and Dragon Rigger should be available very soon.) Right now I’m proofing The Infinity Link, actually reading it for the first time in many years. It was my first BIG book, published in 1984, and I’m pleased to say I’m enjoying it.

Hope you’re all having a great beginning of 2009!

“You’ll never make much money writing books like that. But the very best people will come to your funeral.” —said to Edgar Pangborn, as told by D.G. Compton

Nice Plug on Sci Fi Wire

Sunborn got some nice exposure today on Sci Fi Wire, with an article/interview by John Joseph Adams. It came out rather more techie-sounding than I would have liked; but as it consists almost entirely of quotes from my own email response to his questions, I guess I’m the one to blame for that. Seems to have caused only a modest bump in traffic to my website, so maybe that’s why.

“We all know that only about 5% of our advertising works. The problem is, we don’t know which 5%.” —Some wise person in the publishing industry

Writer, Like Dragon

Most working writers are like dragons: they know down to the nickel what’s in their hoard. Maybe not their hoard of gold on hand—because usually what they have on hand is a shortage of gold—but for sure they know when the gold is expected. They know who owes them what, and when it’s supposed to come, and (if they’re honest) how many months late it will probably actually come. It’s a survival trait. When food is scarce, you keep a watch on the supply trains.

Except this time.

Our budget has been pretty tight around here of late, and our contingency actions included borrowing some cash. (If you read the papers, you’d think that was impossible. And yet, though GM can’t get a loan, the credit card companies continue to offer no-interest balance transfers, even to people who demonstrably are unlikely to leave the debt in one place long enough for it to kick up to the higher rate.) Well, we determined to keep a trusting attitude about it all, and even decided that we needed to be more conscious about giving away a proper tithe of the money that does come in. Giving back to God, paying forward, call it what you will.

Today I opened an envelope from my agent—and what did I behold? A check. A substantial check. It seemed that, most undragonlike, I had forgotten that there was an on-publication check owed me for Sunborn! I had forgotten! (All of my other contracts have called for payment on signing and on acceptance, but this particular one was structured differently from all the others.) I had forgotten! Whoo-whoooo!

I did three things right away. I thanked God, I called my wife, and I took that sucker right to the bank.

“God only exhibits his thunder and lightning at intervals, and so they always command attention. These are God’s adjectives. You thunder and lightning too much; the reader ceases to get under the bed, by and by.” —Mark Twain

Great Success!

Both book signings were terrific successes, with lots of hardcovers leaving in people’s hands—in many cases, the hands of people I did not know before the signings. (Always a good indicator.) And the folks at Menotomy Beer & Wine were fantastic, made me feel welcome and even sent me home with a bottle of wine! This continues my experience that the best place to do book signings is not necessarily at bookstores (though I’m happy to sign at bookstores, too!), but at places where something else is going on. Indoor water park, church fair, wine tasting—what’ll be next?

Two Signings This Week!

I’ve added a second book signing of Sunborn to the one previously announced:

  • On Friday evening, Nov. 7, from 6:30 to 8:30, I’ll be doing a benefit signing at Park Avenue Congregational Church in Arlington, Mass., at the annual fair.
  • On Saturday, Nov. 8, from 4:00 to 7:00, I’ll be signing as a guest at the regular wine tasting at Menotomy Beer and Wine, also in Arlington.

Click for a full rewrite, with details and locations. Stop by! Have some lasagna and pie (Friday) and some wine (Saturday).

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