Writing Question #X (and Y and Z): “Can You Help Me Break In?”

I get a fair number of emails from aspiring writers asking for advice, which is why I created an advice page on my web site—and a little less directly, why I created a free online writing guide (supposedly geared to younger writers, though from the occasional thank-you note I get, I don’t think it’s just kids using the site). Some people hope I will read their work and comment on it, or give it a blurb.

I am not unmoved by these pleas, but the answer I must give is, “I’m sorry, I cannot help beyond what I’ve already tried to do.” If they ask me to read their work, I refer them to still another page I created, explaining why I can’t. Most people seem to understand, but there’s always this nagging sense that people think I can somehow help them get an in. That’s a heartbreaking illusion.

Here’s what I said, basically, to one person recently who thought I should do more:

You have a burning desire to write. I hear from a lot of people who want to write. And they all want to know the same thing: Can I help them “break in”? The truth—WITHOUT EXCEPTION, not one single exception—and I can tell just from reading their emails—is that they don’t need help “breaking in.” They need to learn to write. They need practice, they need training, they need a workshop to get feedback, they need to understand that writing is a difficult and demanding craft and it TAKES TIME AND DISCIPLINE TO LEARN. No one wants to hear that, ever. It’s not about developing contacts, or knowing the right people, though eventually those things can help.

It’s about learning to write. I can’t help everyone in the world learn to write, though I try through my course and workshops I teach at. Find people in your college, or your community, or through paid or online workshops who can help you learn the things you need to know.

People seem to feel betrayed when I say that, but it’s the truth.

My final suggestion was two books that we’re using in the workshop that I’m teaching with Craig Gardner: Bird by Bird, by Anne Lamott and Stephen King’s On Writing. They both have a lot of wisdom about writing, and being a writer. (There are, of course, many other good books on writing, and some not so good books.)

Come to think of it, if any of you has a favorite book on writing, why don’t you leave a comment about it? We can compile a list.

National Novel Writing Month

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Speaking of writing, it’s that time of the year again: National Novel Writing Month, celebrated and spurred on by the good folks at NaNoWriMo.org. The idea that they promote is to write an entire novel in a month. My idea—almost as daring—is to finish writing my novel (Chaos Chronicles #4) and get it off to my editor by the end of this month. It’s going to be a photo-finish, folks. Stay tuned.

Meanwhile, if you’ve been hankering to write a novel, or putting off writing a novel, or are in any other fashion in the group of those who want to have written a novel…what are you waiting for? Visit nanowrimo for inspiration! Do it now!

Writing Media and Other Tie-In Novels

Lately I’ve been getting a spate of emails from people asking questions such as, “How can I write a Battlestar Galactica / Aliens vs. Predator / Universe-of-Your-Choice novel? Do I just write it, or how do I get the rights, or what do I do?” It’s a perfectly natural question, and a natural desire. The answer, though, is one that most people won’t want to hear.

First I should specify that it depends whether you’re talking about writing “fanfic” just for fun, for your own amusement—in which case, the answer is, have at it! (Just don’t try to publish it.)

But I suspect that’s not what most people mean. Most correspondents, I think, hope to write and publish a tie-in novel. I suspect the motivation stems partly from a love of a particular show or universe, and partly from a belief that this may be an easier way to get published. It’s not. What you have to understand is that these projects come about through complex rights arrangements which publishers make with the studios, before so much as a word is set to paper. Once the publisher has an arrangement, then the editor in charge of the line goes looking for writers to write the books (whether novelizations of film/TV productions, like my Battlestar Galactica book, or original spin-off novels, like Craig Shaw Gardner’s Galactica book).

In other words, tie-in projects are generated by the studio and publisher, who then look for writers they think are best for the job. And editors for these books tend to turn to writers whose work they’re already familiar with, maybe even writers they’re already working with. Other writers may apply, but there’s little chance of getting a nod without a publishing track record. They want to know you can do the job. And they usually want the book written yesterday.

So…the short answer is, if you want to write a book in someone else’s universe, get busy and write some stories in your own universe first. (Quit wasting time reading blogs!) Get published, get noticed. Then maybe one day you, too, will get the call.

Oh—and you can learn a lot more about this business than I can tell you at http://www.iamtw.org/articles.html.

Way Cool Astronomical Images

I’m just poking my head up long enough to point you all toward a couple of images that took my breath away (from Astronomy Picture of the Day):

  • In the shadow of Saturn, from Cassini
  • Orion Deep Field, including both the Horsehead and Orion Nebulas
  • Hubble view of the Great Orion Nebula (M42)

    That last one is the most beautiful view I’ve ever seen of where my motley crew of Bandicut, Antares, Ik, Li-Jared, and various robots are at this very moment. They’ve just crossed from left to center toward the Trapezium, a tight cluster of four bright stars right in the whitest heart of the nebula. That’s where they are, wondering what in the world they were thinking. Here’s the Trapezium in infrared.

And now I must get back to them.

Still Here, Still Pounding

This is about the longest I’ve gone without a post. Yikes! But yes, I really have been focusing on the rewrite of Chaos Book 4, and the rapidly approaching deadline. So it’s going to be like this for a while, I’m afraid. I’ll touch base when I can.

Here are a few highlights of what I wanted to write about, but didn’t have time:

Xena is now Eris, and Pluto is now a dwarf planet. Well, nuts. Still, Eris as goddess of chaos and discord isn’t bad. Sort of describes the current state of astronomy. And the world.

Another family brag: my sister Nancy Lorey and her video production partner Matt Star received three Telly Awards for videos they produced at their I-Conn Video Productions firm in Mt. Vernon, Ohio. There were over 13,000 entries for the award, which recognizes excellence in local, regional, cable, and nonbroadcast video. Way to go, Nancy!

On the national political front…oh, just new legislation abolishing habeas corpus for political and war prisoners, and legitimizing torture any time the prez decides to reinterpret the Geneva Conventions…nothing major (except—doh!—this is not what America is about, guys). Oh yeah, and Senator McCain (for whom I once held some respect) selling out completely to the radical right. Don’t get me started. But do read this New York Times editorial on the subject. Or this from InformationLiberation, which is a little more out there on the edge, but probably not too inaccurate.

On the local front, I am now co-teaching an SF writing workshop in Cambridge, Mass., along with Craig Shaw Gardner, at the Pandemonium bookstore. Depending on how it goes, this may become a regular event.

Also, I’ll be signing books at Pandemonium Books, on Saturday, October 7, from 7–9 in the evening. Stop by, if you’re in the Cambridge area! Craig and two other authors will be signing at the same time.

And now…back to the Chaos!

Sheesh, What a Ghost Town!

Man, doesn’t the guy who owns this place ever come in and serve the guests? Or at least turn on the lights?

Oh wait, that’s me. Right, right. And I couldn’t even get in at first; my browser was feeding me the wrong login, and I didn’t see it.

Well, you probably wonder where I’ve been. I’m still here, still working on Sunborn. And finally finished with our local children’s theater’s run of Damn Yankees, which was loads of fun and loads of work and loads of time spent in the theater. I miss it, now that it’s over.

About a year ago, I wrote here that I was acting in a very small indie film being made here by the same guy who operates the theater where we hold our musicals. Pops the bum, if you please. (Take note, Leonard Maltin and Roger Ebert.) Well, I can’t announce yet that the film is finished, because they never got the last scene shot before winter set in. But they’re planning to do that in about two weeks, and that will be my last performance of Pops the bum—at least until the sequel. (The last scene takes place in the street, and requires closing off the street and I believe engaging a few police cars and officers to appear in the scene, also. My part, as I understand it, will involve sitting slumped against a wall looking bewildered. An easy role for me.)

And yes, outside of all that, I’m plowing ahead through the hardest part of the rewrite—the long middle—which was the biggest mess in the first draft, and requires the most rethinking in the second. Making good progress. Not as fast as I would like, but steady.

So…I gotta get back to it. But first I have to say…

Twelve planets in the solar system? You’ve got to be kidding. (The International Astronomical Union, as you probably know, is proposing just that.) Ceres a planet? Anyone who read SF in the 50’s and 60’s knows perfectly well that Ceres is an asteroid, and very important to the economy of the future asteroid belt civilization. Planet, indeed. And Pluto and Charon both planets? Come on. Xena, now—I can see calling Xena a minor planet. But not opening up the Pandora’s box of a hundred planets called “plutons.”

Reconsider, guys. Everything Pluto-size and up should be a planet. Smaller stuff should be minor planets. Wouldn’t that really just be a heck of a lot easier? And think of this: we could keep the name Xena, and it wouldn’t be breaking with tradition on the naming of major planets. Go for it!

Still here…working on book

No, I haven’t died, though it might seem that way. There have actually been a number of things I’ve wanted to write about, but haven’t had the time. Ah, most of the ideas have fled now. I should give one update, though—my friend got out of Lebanon pretty early on and in good shape, for which I’m deeply grateful. She got a ride out on a U.S. Marines helicopter, so a big thanks to all of you involved in the evacuation. (No connection, but shortly after that, I got a nice email from an army sergeant who discovered one of my books while stationed in Bosnia, of all places. He said that later, while stationed in Iraq, he was always looking for good SF to read. That gave me great encouragement.)

I’ve been working hard on Sunborn, trying to beat down a group of chapters that just wouldn’t shape up. I think I’m getting a handle on it now. Also, it’s summer musical time at Arlington Children’s Theater, which one of my kids is in, and for which I’m once more helping out on the sound board. We’re in dress rehearsals for Damn Yankees right now, and have performances starting this coming weekend and going right through the next. (Fortunately—given that we’re in the middle of a heat wave—the theater has upgraded its air conditioning!)

Listen, I’d love to stay and have a drink and chat, but I’ve got to get back to the book! See you later!

New Manned Spacecraft Named Ares

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According to Astronomy Magazine, NASA has announced a name for the replacement to the space shuttle:

As the space shuttle Discovery prepared for launch Friday, NASA announced the name of its replacement. The Crew Launch Vehicle, which will ferry astronauts to Earth orbit as early as 2011, is now called Ares I. The monstrous heavy-lift rocket, designed to loft cargo headed for the Moon later in the decade, is called Ares V.

Ares, the Greek word for Mars, is a nod to the agency’s vision of one day sending astronauts to the Red Planet. The numerical designations salute the Apollo-era Saturn I and Saturn V rockets, the first large U.S. launchers specifically designed for human spaceflight.

Ares. That’s way better than CLV. And I like the “I” and “V” designations in salute to the Saturn that took us to the moon, my favorite of all rockets. Pictures and more details at astronomy.com.

Jim Baen (1943-2006)

Jim Baen, founder and publisher of Baen Books, died on June 28 following a stroke from which he never awoke. He was a major figure in the science fiction field, and one whose influence has been felt in many ways. His death marks another sad milestone in the field.

I knew Jim only slightly. He bought my second short story, “Alien Persuasion,” for Galaxy Magazine, back in—actually, I’m not sure. I think it must have been 1975. My story was published at a time when Galaxy was in financial trouble, and it didn’t last too long beyond the appearance of my story. (That story was my first venture into the star rigger universe, and ultimately became the first part of my second novel, Star Rigger’s Way.) Jim Baen later went on to work with Tom Doherty at Ace Books, then at Tor Books. He finally became publisher of his own company, with Baen Books. My sympathies go out to all those at Baen Books, and his family and friends.

For a more complete and knowledgeable obituary, see David Drake’s web site.

Guest Book Review: The Revealers

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Today I introduce what I hope will be a continuing series of guest book reviews! The first entry is from my daughter Julia. The Revealers is a young adult novel by Doug Wilhelm, and it has gained a fair amount of attention in middle schools because of its theme: physical and psychological bullying among adolescent kids, especially in schools, mostly under the noses of teachers and administrators. Here’s the review…

The Revealers
by Doug Wilhelm
reviewed by Julia Carver

“This book was wonderful to read. There are hundreds of stories out there about people who get back at their bullies, but this book gives a wonderfully unusual angle on it. In this particular case, the middle-school kids getting bullied take a scientific approach, studying their tormenters to find out such useful information as why bullies bully, how bullies chose their victims, and, (drum roll please) how bullies can be stopped. I love reading stories like this, probably because I never got back at my bullies. I think that is why such stories are so popular – while a person is being bullied they don’t have the confidence to get a bit of their own back. By reading (or writing) books like these, they can do so in retrospect.”

Thank you, Julia. I might add that the author has created an online resource center for people who would like to know more about the subject, or who’d like to use the book in their schools to address the issue of bullying. He’s also turned it into a play, which has been performed in a couple of middle schools in Vermont.

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