writing

Rewriting is sometimes joyous, but usually it’s a finicky and ornery-making process. You never know what chapters are going to give you the most trouble. I recently finished some fairly heavy reworking of a series of chapters in my will-I-ever-get-this-finished novel, The Reefs of Time. One sequence of scenes was fairly ordinary, in the sense that they involved people meeting and talking. I mean, yes, they came from several worlds; and yes, they were meeting to discuss an interplanetary war; and, well yeah, the elephant in the room was a much more alarming threat from the outside. And if you press me on it, this scene took place on a planet elsewhere in the galaxy, and in the future, and with characters representing several different sentient species. But leaving all that aside, and the fates of worlds hanging in the balance, it was a pretty standard meet-and-talk-and-argue situation. Should be pretty straightforward to get this one right, right?

Maybe not.  While the first draft was pretty ragged, I thought a thorough rewrite from beginning to end would bring it into line. And if not that, then another pass would surely do it. I was not entirely correct. My writing group tells me it’s still not there yet, though to be sure, they’re not in total agreement on what works and what doesn’t. Do I need a scientist in there? hints one member. Hmm, maybe I do. But what’s this about a certain character placing too much trust on the basis of an ancestral connection? asks another member. That’s not what I meant at all! wails the author. So… more work to do.

The last chapter of this batch was another kettle of fish. Different subplot, very different tone and feel. This one’s cosmic, involving among other things, quantum entangled time travel over a scale of a billion years, and there’s a lot of stuff in it that’s really hard to convey in a few sentences, or at all. There’s a whiff of scientific truthiness about it, but it’s pushing the envelope pretty hard. And it’s personal, emotionally fraught for the characters. My first draft bordered on gibberish. Craig, in my group, had commented with kind restraint, “I don’t follow this at all.” Rich had muttered something about his head exploding. So what am I supposed to do with this?

Picking it up again to rewrite, I hovered on the edge of despair. It didn’t make sense even to me. How was I supposed to make it make sense to the reader? It’s a crucial chapter; I can’t make it go away. I pondered, poked, sighed, put on different music, got more coffee, ate too much chocolate. And then one little gear clicked into place in my head, a reminder of something about quantum mechanics that’s so basic my dog could have pointed it out to me. (Why didn’t he? If he tells you, let me know. He’s saying nothing to me.) It was really just a Schrödinger’s Cat kind of thing. (Ah, a cat thing. That must be why he didn’t tell me.) It was small, but it was just enough to give me a toehold. And from there I climbed and scrabbled and felt my way, like Frodo and Sam in the Emyn Muil. And I was a little rushed, printing it out at the last minute for my group meeting. Is this going to work at all?

And you know what they said? “This is great!” “This moves right along.” “It makes sense to me.” Are you kidding me? Is that what they thought? Are you kidding me? It really works?

Apparently so. On to the next chapter!